As the flight ascended, the knife descended.

The other morning, as my flight ascended into the sky over a major Asian airport, I felt something hard fall to the floor beside my feet. Curious, I leaned forward and saw, on the floor, something that I initially mistook as a piece of the seat in front of mine. I picked it up, turned it in my hand and realized that – rather than holding a loose part – I was actually in possession of a quite serious 3.5 inch (89 mm) knife. Below, a photo of the sheathed weapon.

Slightly stunned, I turned to the fellow beside me – and he suggested that I give the blade to a flight attendant. I must admit, my initial thought was: “Thanks cowboy, but I have no interest in being the guy who has to answer for finding a titanium-framed knife stowed in a magazine pocket (or beneath a seat) on an international flight operated by a US airline. You do it.” But that was just my first thought, the one that happened before the good citizen sprung into action and pressed the flight attendant call button. At the time, we were still ascending, so a flight attendants didn’t exactly come running – providing me plenty of time to snap a photo of the knife (later, ID’d the brand and model, which you’ll find here), and speculate on just why it had been stowed away on my plane (which, as it turns out, regularly transits between North America and Asia). Conclusion: no idea. Continue reading

Beyond Security Theater: Unsecured Theater, and the Shanghai Metro X-Ray Machines

Not long after the 9-11 attacks, Bruce Schneir, a US security expert, coined the term “Security Theater.” The original definition was made in his book, Beyond Fear: Thinking Sensibly about Security in an Uncertain World, but for the purposes of this post, let’s use the definition presented in this easily accessed essay from the New Internationalist:

Security theater refers to security measures that make people feel more secure without doing anything to actually improve their security. An example: the photo ID checks that have sprung up in office buildings. No-one has ever explained why verifying that someone has a photo ID provides any actual security, but it looks like security to have a uniformed guard-for-hire looking at ID cards.

In essence: dumb terrorists will be fooled while everyone else  is inconvenienced. And, it goes without saying, the smart terrorists will find vulnerabilities (for an example of a smart fake terrorist, see Jeffrey Goldberg’s classic debunking of the security at Minneapolis-St. Paul Airport).

Which brings me to the x-ray machines that Shanghai installed in recent months at subway stations across the city (every station I’ve visited, at least) in advance of the massive Expo 2010 (World’s Fair) opening May 1. These have been the subject of much derision from locals and expats (for a contrarian view, see “Confessions of a Shanghai security staffer“), largely due to the fact that they are staffed by teenagers, most of whom appear to be more interested in text messaging and/or checking out the hottie with the fake LV bag. In any case, to my mind, these x-ray machines don’t qualify as “security theater” because they project incompetence, not security. An example: last night, just after 10:00 PM, I entered the People’s Square station. If it’s not Shanghai’s busiest, it’s certainly in the top three, and if you were going to install x-ray machines in only one subway station, that’d be the one. Below, the x-ray machines just outside of a line 1 gate, as I found them last night (ie, switched-off):

After the jump, the Hengshan Road station, 15 minutes later, as I exited: Continue reading

Scrap on the Beach

The staff of Shanghai Scrap has been traveling for the last week or so – three continents, 15,000 miles, in a week or so, actually – and thus posting has been light to non-existent. But, thankfully, we have found a port to call our own: Guarujá, Brazil. We’ll be spending a week on assignment here, meeting members of the local recycling industry – including this gentleman, whom we found on the beach this afternoon. According to him, aluminum cans are going for $.75/lb., roughly, and he’s not happy about that market at all.

While traveling I’ve had the time to read Michelle Mercer’s terrific Will You Take Me As I Am: Joni Mitchell’s Blue Period, a careful examination of Mitchell’s work from Blue, to Hejira (Shanghai Scrap’s all-time favorite recording). It’s not a music biography, though, so much as a careful consideration of how memory intersects with imagination to create art. Highly, highly recommended – whether you’re a Joni fan or not.

Posting to be intermittent for the next few days.

Seoul

For the next day or so I’m lost in a sea of acronyms, terrific street food, and unexpected good fortune. Posting resumes on the weekend, I believe.

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Photo: The Improvised Welding Mask

[Note 11/13: A couple of folks have left comments expressing doubts about whether, in fact, the mask in question was used for welding. It was.]

I’ve just returned to Shanghai after 12 days of roaming up and down Guangdong. I’ll have a bit more to say about some of what I saw down there in the coming days. For now, though, I leave you with what stands as one of my favorite photos out of several hundred that I took down there. It was taken this morning, just at the point where I was putting down my camera after deciding that – twelve days into the trip – there was nothing new for me to note. At just that moment, my traveling companion for much of this trip – a gentleman known to some as Big Dog – elbowed me and said: “Look at that guy’s welding mask.”

“What welding mask?” I asked.

“That one.”

“What are – Oh.” [Click to Enlarge]

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Thoughts on Guangdong, the state of China’s economy, and an essay on Obama in China, all upcoming – after a night’s rest.